Structure is essential to guiding your reader through your story. It’s giving information when it is needed. It’s shaping perspective on the events in the book. Structure is the scaffolding that holds up other elements of writing. It also gives you plenty of room to play. When you’re struggling with how things happen in the story, in the order they happen, take a look at what theme and value you are bringing to these events.
Read MoreCollaborating with a professional ghostwriter is not just about word count. There are other values a ghostwriter brings to the partnership. Ideas. Narrative structure. A way to recognise elements for your story that you might have overlooked.
Read MoreRiddles require you to make up the context of the scene and find what fits. Stories build that piece by piece. There’s no cathartic emotional revelation in having the context given like this. There’s no story. There’s no value placed on this information. There’s no tension other than trying to solve the riddle. Stories require that the information we need – hopefully – comes right when we need it in order to make sense of what has happened.
Read MoreBrian Eno has a card in his Oblique Strategies set suggesting: Whatever worked last time, never do it again.
That might be more extreme than we always need but the sentiment is a good one. Just because it worked last time doesn’t mean it would work again. And just because a client has one idea in mind with their story, it doesn’t mean that’s the best way to narrate their own journey.
Read MoreTo write a book is an adventure. It’s a calling, taking you out of the safety of your daily life. Normal people don’t do this. It is a quest.
Read MorePeople read to connect with a story. Or they read to learn. They talk about the story with friends because it connects with them. They see themselves in the text. Or they’ve learnt something important from reading it.
Rarely has someone sat down with a friend over coffee and gushed over complicated sentences they couldn’t understand.
Read MoreThe creative process is so fascinating. Over the last twenty years or so, I’ve collected a lot of different strategies and techniques to tap into the creative process. These come from reading books and interviews, talking with other writers and artists, watching documentaries, and searching out strategies that worked for my favourite writers and artist.
Read MoreI have this picture of the Wright Brothers’ first powered flight on the wall of my studio.
The brothers struggled for years to get an aircraft to take off, to be controlled, to be powered. They changed designs, drew inspiration from other discoveries, and they crashed often. Orville broke his leg and four ribs. They failed multiple times. After another crash, Wilbur said that flight wouldn’t be able to be achieved for a thousand years.
Read MoreWhen talking about adapting a book, the term usually concerns whether a book can be adapted to the screen. The concept is broader. Essentially, all writing is adapting.
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